Belper Art Group

Covid - July 2021

I have just realised that people are starting to wonder if we have started meeting again. Sadly the answer is no; many of our members are very cautious and when we reopen we will do so with great care. To that end if you are currently not a member I suggest you keep an eye on this site and we will post a message when we are willing to accomodate visitors and potential new members.


We are a friendly, informal group who meet to enjoy, share and develop our interests in all things artistic. We welcome people of all ages and abilities to our regular meetings on Thursday evenings at Strutts Centre between seven and nine.

Every two weeks or so we have a themed evening where one of our members organises perhaps a still life, a look at a particular artist's work, a technique such as acrylics, pastels, collage, etching, drawing etc. All themed evenings are voluntary so that you can choose to do your own work if the theme isn't of interest to you.

In the alternate weeks marked "General" in the programme you can do your own work or continue the previous week's theme. We bring our own materials to the club each week.

Everyone in our group is encouraged to relax and work at their own pace - there is no pressure to compete with others, and we have a wide range of abilities and skills within the group. We don't offer tuition, but friendly advice is always available.

Our programme every year includes an informal “Competition Evening” when we will exhibit in a room at the Strutts and invite artists from other local clubs to come and vote for their favourite pictures in various categories. This is a fun event and a good chance to meet other artists from our area, have a drink and a chat. We generally also hold a week long exhibition at the Gallery at Cromford Mill in the summer.

As a way to illustrate how diverse our group is here is a picture of Steve ‘just a member’ proudly kneeling in front of his latest piece, a mosaic mirror frame. However, Steve does not just do mosaics he also does Lino-Cuts and paints.

Below is the list, in reverse order, of demos we have had at the club over the last few years and all have been interesting and educational. I never thought I would sit and watch someone else paint with interest but I have now have on a number of occasions and I have learnt something every time.

Kelly Herrick is quite a gal, she had us all listening and looking for two hours as she went through her way of painting, just like her it's quick and full of life. She painted on this occasion with a mixture of watercolours and acrylic inks and I am sure she will not complain if I describe her picture as quick however it was complete, full of movement and delightful.

It's not the first time I have wondered at the picture someone has produced in watercolours with the water running down the page because the paper should be much flatter. In Kelly's case she boldly added the very strong colours of acrylic inks where don't blink or you have a permanent mark that cannot be changed in the middle of your picture right or wrong!

Definitely one of the better demo's, what can I say: Kelly come again I need more time to soak in your approach. Go look at Kelly's web site it is full interesting paintings full of bright colours and very contemporary.

Saturday 5th October

So in a complete break with tradition we had a demo and workshop on a Saturday and although I don't do Oils I would have liked to see the demo. There is always something new to learn and I missed this learning experience.

However from what I have been told Saturday was well worth attending. Colin Halliday I gather paints with bold expressive strokes of his pallet knife.

The picture to the left has me really interested because he is clearly using small pick-nick table as a pallet, I'm intreaged!

The above animation was produced from a series of photographs taken at club on 18th July this year when Stephen Coates did a demo for us. I have to say that despite it being a demo he has done many times it was very interesting and probably the quickest demo I have ever seen. Still despite all that many of us would be delighted to produce such a picture in a short time.

I'll be honest I didn't know Richards Hollands work apart from one oil painting before the demo and it left me cold, so it came as a surprise to watch this painting appear. The speed and clarity of his way of working was interesting and educational. Familiarity with both the subject and the way of work clearly makes an enormous difference to the final result. Thanks Richard I will try to emulate some of your methods.

I have never sat and watched someone paint with Oils before, it's different. Something you thought was set in stone suddenly moves, smears, transforms. Susan Issac is a quiet spoken, I suspect modest, person who lit up the room with her demo. The painting although not finished is vibrant and full of interest, from a slightly run of the mill photograph to a wonderful painting in two hours.

She works from the idea, through sketches to a monochrome under painting, in what seemed like a few moments. Yes, she did cheat in this case, for the sake of the demo but wouldn't you. The sketches and the ideas were already there but the process is fluid and from her own words, periodically she does things differently. So no fixed pattern here and then into the paint. A limited pallet but lots of paint going from a course outline blocked in with bold pallet knife strokes to finer and finer detail. Still with the pallet knife until finally the deepest detail is added with the pallet knife or brush as best suits the picture.

I'm note sure I will ever paint with oils but one thing for sure I will not look on with suspicion from now on.

Continuing the series of demostrations this week was Paul Talbot-Greaves who had us all rapt as you can see by the picture above. He painted for approaching two hours and produced a finished picture, from scratch. He always starts with a new picture for every demo and sees where it goes. The picture...

the bit we all want to see is as he acknowledges different from those painted by most, with a strong feature of the wall in the foreground running into the picture. We all watched with great interest as until the very late stage it was not clear how the two halves of the picture left and right of the post would merge. However, once the shadows went in the two parts became one and the picture was complete.

Periodically, we have an artist come in and give us a demonstration the latest of these was Jenny Aitken. Jenny demoed two pictures in Acrylics in under two hours. Enthusiastic, entertaining, enlightening are all accolades I could apply to Jenny but I think the best I can say is the two pictures looked as if they glowed with the light she talks about.

I don't normally work quite this quickly she relied, with a smile that was as quick to arrive as the brushstrokes, when asked about the speed with which she produced the pictures. Having watched I'll bet it's not a lot slower, I loved it, go have a look at her pictures.

Catherine Inglis Fine Artist definite deserves that accolade. Within a few moments of starting she had a likeness for the Hare down and was starting to tell us all about how she works. By the end of the two hours we were all laughing and full of admiration for a great artist. I can only describe her as down to earth and wonderful.

Dave Woolass came in a little while ago and gave us a fascinating demonstration of “Watercolours”. Interestingly his definition of watercolour is any paint that can be worked in the same way as watercolours with water. So it would include the transparent Acrylic Inks and Paints.

Considering the way he works with thin layers and lots of water it is remarkable that produced the dolphin picture in about two hours. He also said despite the fact that he often paints the same pictrue again this was the first time he had done this painting. A very interesting man and demonstration.

Periodically, we have an artist come in and give us a demonstration and a recent visitor was Les Darlow who came in and gave us a fascinating demonstration of Pastels. Personally I don't get on with pastels however to see someone produce such vibrant and instantly lovable pictures with a few deft strokes was a revelation, I shall have to try again!

Finnally, thanks to all our members old and new who have consented to let us publish there pictures here, warts and all, so that you can get an idea of the open way we operate.

For further information or to just put a voice to a name please feel free to ring:

Frank Smith (01773) 827700 or Richard Nayler 07500 151811

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